GForce Software

Inventive, imperious, imperative. Designed in Britain in 1983, the OSCar® married digital oscillators to analogue filters years before hybrid was a word, and only 2,000 were ever made.

impOSCar3 recreates that rare classic with an award-winning sound, then expands it with editable wavetables, a user LFO and over 1800 patches.

Fully Resizable Interface

Drag the fully scalable interface to any size, with an improved layout that simplifies operation without losing any depth.

Over 1800 Patches Included

450+ new patches from a roster of professional sound designers alongside 1350+ legacy patches, all in the powerful new Preset Browser.

Expression That Plays Like Hardware

Programmable velocity responses, aftertouch control and four programmable Macros put the whole synth under your fingers.

The Real OSCar Experience.

Billy Currie of Ultravox and Darren Price and Rick Smith of Underworld programmed patches for impOSCar, as did Paul Wiffen, the original OSCar sound designer and programmer for Stevie Wonder and Jean-Michel Jarre.

Like the hardware, impOSCar3 pairs the precision of digital oscillators with the warmth of analogue filters, and it keeps the same incredible award-winning sound that made its predecessors a fixture in serious studios.

A Filter Like No Other.

The one of a kind dual filter sits at the core of impOSCar3. Nine modes with Drive, Cutoff, Q and Separation: LP, HP or BP in 2 pole or 4 pole, plus LP, BP and HP in parallel pairings that open the door to formant textures, phasing and resonance effects.

Draw Your Own Waveforms.

The original could hold 24 user waveforms. impOSCar3 gives you fully editable 256 step wavetables, drawn as shapes or built additively from partials, with over 150 wavetable presets to start from. Your wavetables save with the patch, and wavetable switching lets you explore new tones inside a sound without losing its character.

Modulate With A Shape Of Your Own.

A new User LFO editor morphs between two frames you draw yourself, with 25+ presets ready to sculpt. Modulate wavetable position by LFO, velocity or aftertouch and the sound comes alive

From Angry Mono To A Wall Of Sound.

Mono Unison and Poly Unison modes with wide stereo spread, Note Pan modes and Unison Voice Pan. Add Chord Mode and the Arpeggiator, and impOSCar3 moves from a single searing lead to a full poly unison wall in one switch.

A Full Effects Section.

Ring Modulator, Chorus, Delay and a new Matrix Reverb, all onboard.

More features

The same incredible award-winning sound

9 Filter modes with Drive, Cutoff, Q and Separation

LP, HP or BP 2-pole or 4-pole

LP in parallel with BP, LP in parallel with HP, and BP in parallel with HP

[New] Over 150 wavetable presets

[New] Powerful Preset Browser

[New] Fully scalable UI

[New] User LFO Editor with 25+ User LFO presets

[New] Matrix Reverb effect

[New] Four programmable Macros for easy manipulation of sounds

Chord Mode and Arpeggiator

Preset compatibility with impOSCar2

Mono Unison and Poly Unison Modes

Note Pan Modes, Unison Voice Pan

Ring Modulator, Chorus and Delay

Programmable Velocity Responses and Aftertouch

Original Spirit, New Expression.

At its core, impOSCar3 is the OSCar®: a trailblazing British hybrid with digital oscillators, analogue filters and an iconic yellow membrane panel, faithfully celebrated and fully compatible with your impOSCar2 patches.

Around that core is a deep, unique sound-design playground with no equal. Editable wavetables, a user LFO, nine filter modes, four Macros, aftertouch, Undo and Redo, a new Reverb, a powerful browser and over 1800 patches from designers including Jogging House, Sandunes, Nadia Struiwigh, The Unfinished, Jordan Passmore, Patricia Wolf, Zardonic and Dave Spiers. Prepare to be surprised.