Instrument Quotes

Artist feedback on our instruments

Serge Pizzorno - VSM

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"Bloody marvelous!"

Serge Pizzorno (Kasabian)

Charles Nieland of Super Buddha - Oddity

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"The Oddity plug in is another in G Force's series of great vintage synth tone generators. The architecture of the ARP Odyssey is beautifully rendered along with it's sizzling sound. The interface's sliders are a blast to program."

Charles Nieland- Super Buddha (Producer: Debbie Harry, Rufus Wainwright)

Dean Coleman - Oddity

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"I love the sick sound designs you can do on the Oddity and the automation is super-tight within Logic. Definitely gets a lot of use from me!"

Dean Coleman (DJ, Remixer & Producer)

James Meeker - VSM

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"This afternoon I finally had the chance to sit down with my newly purchased VSM.

At first I thought there was something wrong, but then I realized the thudding sound I kept hearing was my jaw hitting the deck.

This is a truly marvelous instrument. Yes, instrument--not some trifling software synth consisting of code; but a living, breathing, snarling (and occasionally swirling, depending on the phaser settings) beast. The credibility of the VSM is such that you have done the world a service by preserving the soul of these wondrous, near extinct instruments. Wandering around the VSM\'s presets is akin to touring a colossal museum dedicated solely to cataloging string machines of ages past.

Amazing job. Truly. Your products are always top on my list of "go to" instruments. Just this afternoon I've already replaced the string parts on three songs with the VSM. Effortlessly I might add."

 

Marius De Vries - Minimonsta

"Responsive, realistic, utterly 3-dimensional..... does to the minimoog what the impOSCar did to the Oscar, and more.... another beautiful synthesizer from GForce. CONGRATULATIONS!"

Marius De Vries (Bjork, Madonna, Moulin Rouge)

Mitchell Froom - The Streetly Tapes

I'm a fan of your software - your volumes 1-3 are great - just bought volume 3 and they're the best software versions of these kind of tape libraries I've come across.

Mitchell Froom (The Bangles, Elvis Costello, Sheryl Crow, Crowded House, Paul McCartney, Robin Gibb, Maria McKee, Randy Newman, Nerina Pallot, Pearl Jam, Bonnie Raitt, Suzanne Vega and many more).

Gordon Reid - Oddity

"For a long time, I was not a fan of software synths, finding them less intuitive and less musical than their hardware brethren. However, my view is changing, and much of the credit or blame lies at GForce Software's door.

I like M-Tron, and the Oddity was the first software synth I used that combined an accurate representation of its inspiration, a good user interface and watertight operation.

With ImpOSCar, the company has gone still further and, now that everything works correctly, the additional benefits outweigh any reservations I might have had."

Gordon Reid (Sound On Sound Magazine)

DTM Magazine Japan - impOSCar

"The sound is simply incredible! The most fun part is to achieve completely unexpected sounds by customizing the harmonics of the user waves. It's a shame that my job is to recommend good synths because I want to keep this all to myself."

Hiroshi Fujimaki (DTM Magazine Japan)

Yorkie - M-Tron Pro

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"Having used the original M-Tron since it was released, my excitement over the M-Tron Pro was almost palpable.

The original sounds are all there, but the new sounds and new functionality are absolutely gobsmacking. This is one of the most essential bits of studio gear for anyone even remotely interested in the Mellotron."

Yorkie (Producer & Artist)

Russ Hughes - impOSCar2

"This really is a dirty little bugger, this synth."

Russ Hughes (www.airusersblog.com) Editors Choice Award