Instrument Quotes

Artist feedback on our instruments

Mark Kelly - M-Tron Pro

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"M-Tron Pro is a fantastic update for a classic instrument, breathing new life into those classic sounds."

Mark Kelly (Marillion)

Gordon Reid - Oddity

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Given that Odysseys are rare, expensive, unreliable, often have damaged faders, always have scratchy faders, often drift out of tune, and are always a nightmare to tune, I don't merely recommend that you try the Oddity. I very strongly recommend you try it.

Gordon Reid (Sound On Sound Magazine)

 

Celldwellor

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It's immediately evident when playing a Gforce instrument that the creators of these plugins are in love with the hardware they emulate. Great sounds coupled with extremely faithful recreations of these classics make these must-haves in your collection. - Klayton

 

Paul Godfrey - M-Tron Pro

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"The M-Tron Pro is the first Virtual Instrument we have ever used on a Morcheeba record and once we started we couldn't stop, this plug sounds fantastic!

It blended brilliantly alongside our vintage hardware keyboards and delivered the psychedelic, majestic madness we had been searching for. Needless to say we now utilise it on everything!"

Paul Godfrey (Morcheeba)

 

Lee Groves - impOSCar2

"Fuck me, it's even more immense"

Lee Groves (The Ruts, Depeche Mode) 

Caged Baby - Oddity

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"I used the Oddity frequently on my new album and could create virtually any bass and lead line I wanted, the tweakability is amazing - genuine analogue sounds."

Caged Baby

Morris Hayes

"The GForce suite of plug-ins (Minimonsta, OSCar & Oddity) are fatter than a ten dollar pork chop! They are very usable in a wide variety of styles of music.

They're great in the studio or on the road in my Neko 64 virtual synth keyboard. They really do offer a real great taste, MORE filling sensation!"

Morris Hayes (Keyboardist for Prince & Maceo Parker)

Sean Charles

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"The Minimonsta, ImpOSCar and Oddity are my favorite go-to virtual synths - hands down. In the fast pace world of interactive music scoring and sound design for video games, you have endless creative possibilities with this killer suite of plug-ins. They are unequivocally the FATTEST sounding plug-ins and programmable beasts on the planet."

Sean Charles (Audio Director, Propaganda Games - A Buena Vista Games Studio)

Charles Nieland of Super Buddha - VSM

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"The Vintage String Machine by G Force has a great library of beautifully multi sampled string synth sounds. The super cool interface, replete with worn wooden cabinetry, gives lots of options to layer and treat patches. From modern washes of sound to vintage grit, the possibilities are endless. A great way to top off any mix."

Charles Nieland of Super Buddha (Producer: Debbie Harry, Rufus Wainwright)

John Foxx - VSM

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"VSM is simply beautiful - detailed, accurate and very useful. All the classic instruments are here and all equally well performed. (Especially delighted to find my old Elka Rhapsody again, as well as the Solina). The lavish layering is simple, if you like it lush as Lynch.

All sounds are Accurately Artificial. Supplies all the proper synthetic spectrums of mood, through Delicate to Tingling, Creepy to Powerful. Martian Coctails to Noir Sexmelt. Deeply enjoyed the way the strings decay and attack can be surreally lengthened to create very subtle approaching and retreating horizons.

By the way, the phaser is a blinder - still have my vintage MXR and the SM version can shape similar harmonic curves. That cascade interaction between electron strings and phaser has always been absolutely essential.

So this is Retro Repro at its best - informed, sensitive, detailed, technologically extended - and best of all - a new, very useful electronic instrument in its own right."

John Foxx (Electronic Music pioneer)