Oddity Keyboard

Customer Feedback

Customer feedback on this instrument:

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"We use Oddity and M-Tron almost every day on tracks including LDN / Knock-em Out - Lily Allen and Wannabe - Dizzee Rascal"

Futurecut Productions

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"The Oddity is beautifully realised. All the power, character, precision, intricacy, grunge and sonic extremes of the original - plus memories. (A real gift - I managed to lose so many good sounds- or record some that I then couldn't reproduce again).



It's also capable of doing things the original never could - basic things such as midi sync, right up to the sophisticated and beautiful morph facility.



As for what defined that original - scorching leads, the swoops down to unstable depths, plus an ability to make new sounds - from abstract to uncontrollable - this can do it all. Just as the original, it responds beautifully to echoes, reverbs, flanges and additional spatial effects, all of which open up new dimensions. Everything from precise early analogue to howling organic electrolife is here.

A great tool for any kind of sonic sculpture."

John Foxx (Electronic Music Pioneer)

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"The Oddity is so authentic it takes me back to my Headhunter's days."

Herbie Hancock

"Today I installed the Oddity... it's beautiful. And with the 24dB filters it sounds much better than the original! I really can recommend this synth."

Klaus Shulze

Given that Odysseys are rare, expensive, unreliable, often have damaged faders, always have scratchy faders, often drift out of tune, and are always a nightmare to tune, I don't merely recommend that you try the Oddity. I very strongly recommend you try it.

Gordon Reid (Sound On Sound Magazine)

 

"I bought the Oddity and ImpOSCar a few months ago and couldn't believe how great they were."

Trent Reznor (Nine Inch Nails)

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"I love the sick sound designs you can do on the Oddity and the automation is super-tight within Logic. Definitely gets a lot of use from me!"

Dean Coleman (DJ, Remixer & Producer)

"This is an afficionado's plug-in.....a product for synth connoisseurs. It feels more like a labour of love than an attempt to rule the world of soft synths with a Great Big Commercial Hit; somebody put a lot of time into getting the details right."

Craig Anderton (EQ Magazine)

"For a long time, I was not a fan of software synths, finding them less intuitive and less musical than their hardware brethren. However, my view is changing, and much of the credit or blame lies at GForce Software's door.

I like M-Tron, and the Oddity was the first software synth I used that combined an accurate representation of its inspiration, a good user interface and watertight operation.

With ImpOSCar, the company has gone still further and, now that everything works correctly, the additional benefits outweigh any reservations I might have had."

Gordon Reid (Sound On Sound Magazine)

"Since I last talked to you, I have been using the Oddity again, in greater detail. I.....I can't....stop....using it. It is really great."

Mike Overacker (www.arpodyssey.com)